Monday, July 6, 2020

New Website

My old website at has been disabled at my request.  
I will be using this Blog to share my new work along with tips and materials.
I hope you enjoy my creations.

Saturday, July 5, 2014

Ballerina: Ruby part 4

 I use very fine hand dyed mohair for the wig.  

The costume is china silk.  The raw cut edge of the skirt is sealed with a fine line of Aleene's Fabric Fusion.

Thursday, July 3, 2014

Ballerina: Ruby part 3

The ballerina parts are attached with double strands of twisted 20 guage beading wire.  The two legs are glued together with 5 minute epoxy.

After the epoxy has set I fill the space with Milliput epoxy putty, available from Micro Mark.

Hands and toe shoes are protected until wigging and dressing are completed.

Wednesday, June 25, 2014

Ballerina: Ruby - part 2

After the parts are bisque fire two things happen before the doll is put together.  

First the face and fingernails are china painted in layers to create detail.

Second the silk toe shoes are constructed on the feet.

Friday, May 30, 2014

Ballerina: Ruby in progress 1

The first step is to cast all the needed parts for the ballerina.  All of these parts are my original sculptures.  I make my own molds, not my favorite part of the process.

Next the parts have to be reshaped to create the desired pose. I've discovered it's much easier and safer to shape each leg separately and attach them after firing.  The arms, head and torso must be one piece for this pose and the style of costume I have in mind.

Thursday, May 29, 2014

Ballerina: Jeannette

Jeannette is my latest ballerina.  Her pose and costume were custom designed for a customer and friend.  The chair in the photo is by Nik Nichols.

Sunday, December 29, 2013

Autumn Harvest

This is the latest figure in a series of seasonal women.  I think of her as Mrs. Santa in her everyday working clothes but she really is any peasant woman.  The inspiration for her costume has Scandinavian origins though I haven't adhered to any particular national costume. I simply enjoy this style and in particular the freedom of color choices.  The trug, her garden basket, was purchased from Jane Graber and the vegetables are from Twin Heart.

Tuesday, October 29, 2013

Dragon Ship

      This Dragon Ship is a new creation by Williamson, Walton-Marble and myself. We first displayed it at the Good Sam Miniature Show in San Jose, CA, this October, 2013.
The scale is 12th.

These two small boys used a rake and an umbrella stand to turn a dragon hammock into a Viking ship.  With their bloody swords, dragon t-shirts, viking helmet and eye patch they're living the life of vikings. 

This beautiful  Dragon was hand carved by Nicole Marble out of Bottlebrush wood.  The finish is shellac and wax and the color is the natural wood.  The teeth are made of bamboo.   The design is based on a real hammock.

Saturday, October 26, 2013

Romeo and Juliet

     Every once in a while I get a commission that is a real challenge and at the same time wonderful to work on.  I loved doing the research for this pair of dancers.

Tuesday, October 8, 2013

Dragon's Dream Part 4: Finished

The finished dragon and rocks were painted with a couple of thin washes of acrylic paint.  I added some landscaping touches, moss made of model railroad grass and ferns made from laser cut paper.

The back view shows the tree made of twisted wire, solder and Sculpy clay inserted in the tube sculpted into the form of the dragon.

This little imp was made by 

Todd Krueger.
The old hag is my creation.  She's holding a wonderful dragon book made by Ericka VanHorn.

Sunday, September 15, 2013

Dragon's Dream Part 3: Creating the Dragon

    Creating the form of the Dragon over the shape of the interior cave was really just a matter of cutting and carving pieces of Styrofoam and attaching them to the inverted bowl shape with tacky glue and toothpicks. 
    Then I started adding Paperclay to the surface to cover the Styrofoam, just about six square inches at a time.  I rolled the clay out on waxed paper, painted Tacky glue on the area to be covered and applied the clay to it. As the Paperclay began to firm up I applied texture with stiff brushes and any other tool that would create the effect I wanted.

    As the clay dries it shrinks and cracks. There was a fair amount of crack filling to be done each morning before moving ahead with the sculpture. I wet the crack and the area around it before filling it with more Paperclay.
   A small tube was fitted into the back of the piece between the dragon's body and wing. This was to hold up a wire tree.  The area at the lower left that appears to be missing a rock is where the battery for the candle's light goes. 
I'm still not sure if I liked the dragon unpainted or painted best.

Thursday, August 29, 2013

Dragon's Dream Part 2: constructing the cave

To construct the cave interior I used inch thick Styrofoam to make a bowl shape. Pieces of Styrofoam were attached with Tacky glue and held together with tooth picks. The interior was covered in a thin layer of paper clay .

I decorated the back wall with a mandala with a dragon motif in the center.  Instead of adding paper clay on top of the dragon design I used a flat headed tool to push the paper clay back to shape the dragon relief and the letters.

 The base of the piece was a 12 by 14 sheet of one inch thick Styrofoam.

In the center of the cave is a stone table dressed by Todd Krueger with a scull, a candle and other useful items. It was attached to the base and surrounded by a floor of paper clay before the the cave was set in place.

This is a view of the interior through the cave door. A root growing through the roof of the cave hangs down behind the table.  Leaves have blown into the cave to litter the floor.                                                

Thursday, August 22, 2013

Dragon's Dream Part 1: clay mock-up

For several years now I've had an inspiration to make a cave with a dragon sleeping on top.  This past winter I started working on it and this and the next few postings will show the steps to the finished piece.

My first problem was how to design a sculpture with a hollow center.  So I turned a plastic bowl upside down and sculpted a mock-up of the piece around it using smooth water base clay. 

This sculpture is the actual size of the finished piece. I used a ruler and calipers to measure the figure and creat the shape in Styrofoam and paper clay.